A Christmas present from a friend to her nephew (whose head is on the Iron Man suit.) I needed a lot of reference from online (images and videos) for the Squadies to nail their distinctive art style, and had a couple photos of the boy's face. I worked hard to make all the linework interesting, paying attention to shapes, width, weight, and flow.
My friend hired me to illustrate this as an anniversary present from him to his wife. I used photos for their three cat's heads, and rummaged online for the hockey uniforms, goalie net and rink line details. I created the little ads in the back in homage to the couple's culinary interests.
Note my new signature logo, an AM shaped and colored like a pencil, my favorite drawing utensil. Why do I use a signature logo? Is such a thing necessary? Who else does this? :)
Adobe Illustrator CS2
Saturday, June 25, 2011
Friday, February 18, 2011
Recent Logo Designs
Sunday, December 19, 2010
Illustration Friday-- Mail
Adobe Illustrator CS2Tried my best to just use simplified shapes and concentrate on design, color, and composition. :)
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Friday, November 19, 2010
Illustration Friday-- Sneaky
Moroccan Mark/Adobe IllustratorThis man looks like he could be a little sneaky. :) Actually, this was a friend's Halloween costume, and inspired me enough to draw a caricature of him. :)
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Saturday, October 23, 2010
It's been a long time since I...
...posted anything new. Well so, these aren't exactly new, but more like updated versions of illustrations I've already posted. Hopefully I'll get back in the swing of things soon, posting some new freelance and such. :)
Submission for Illustration Friday-Suspense
Big Boss Man
Adobe Illustrator
Swim Against Death
Adobe Illustrator
Submission for Illustration Friday-Suspense
Big Boss ManAdobe Illustrator
Swim Against DeathAdobe Illustrator
Thursday, March 18, 2010
Church t-shirt logo
Adobe Illustrator CS2.My pastor's wife asked me to make a logo for the Bible quiz team at my church. She said she wanted the chocolate brown/blue combo that's been popular for awhile. I think I wound up going a bit more teal than she originally had in mind, but she said she preferred how it came out. I told the printers I wanted this to go over the breast pocket area, but wish I'd have thought to have it printed over the whole front. Must be my conservative nature. :)
Monday, November 16, 2009
Big Boss Man
For Illustration Friday's Unbalanced. Usually the old man gets a little crazy around mid-week, but Nerble takes it in stride.
Adobe Illustrator CS2
Adobe Illustrator /Photoshop
Weathered version: I exported the Illustrator file as a tiff, then opened it in Photoshop. I opened a photo I'd taken of a cracked asphalt sidewalk, then dragged and dropped it onto my illustration. I blended the texture into the main illustration using the Multiply filter, then manipulated the transparency until the illustration still dominated but the texture showed through just enough.
I changed the background into a layer, then added a layer underneath the illustration layer, and turned the color to brown. I erased some of the illustration layer to let the brown background show through. Then I created some additional distress drawing cracks, highlights and shadows the Dodge and Burn tools. :)
Adobe Illustrator CS2
Adobe Illustrator /Photoshop
Weathered version: I exported the Illustrator file as a tiff, then opened it in Photoshop. I opened a photo I'd taken of a cracked asphalt sidewalk, then dragged and dropped it onto my illustration. I blended the texture into the main illustration using the Multiply filter, then manipulated the transparency until the illustration still dominated but the texture showed through just enough.I changed the background into a layer, then added a layer underneath the illustration layer, and turned the color to brown. I erased some of the illustration layer to let the brown background show through. Then I created some additional distress drawing cracks, highlights and shadows the Dodge and Burn tools. :)
Friday, October 23, 2009
Sweating the Small Stuff
I did this piece as a flyer for a Sunday morning Bible study I led. Unfortunately, I didn't get it to the printer fast enough (Yet another lame attempt to fit the Illustration Friday meme. This week it's Fast).
Adobe Illustrator CS2
I really enjoy the look of super-tight comic book inking, say, along the lines of The Art of Comic Book Inking volumes 1 and 2 by Gary Martin. Some of the examples in those books stagger my mind as far as tightness, getting the perfect balance of light and dark, and making all the lines work so the image comes alive, not just putting down lines however you feel like it. Another awesome book about inking is Rendering in Pen and Ink by Arthur L. Guptill; a big tome of a book that's worth every hour to read it.
The figure came first; the background and text came later. First I sketched the figure in pencil, scanned it into Illustrator, then traced it with the pen tool. I did all the blacks first, working out shadows and forms until it stood alone as a solid black and white illustration. I then started applying flat colors: 4 shades for the armor, 3 shades for the gold-lighted glass (I didn't know how many layers of color I would use originally, that's just how it worked out).
All the little tapered lines are, for the most part, blended triangles, shaped to fit whatever form I needed. I'm not a big fan of outlines. I do wind up using them here and there, but I'm trying to get out of the habit. I try to think more in terms of light, shadow, and dimension, trying to figure out how to make 2D pop out like 3D. :)



Adobe Illustrator CS2I really enjoy the look of super-tight comic book inking, say, along the lines of The Art of Comic Book Inking volumes 1 and 2 by Gary Martin. Some of the examples in those books stagger my mind as far as tightness, getting the perfect balance of light and dark, and making all the lines work so the image comes alive, not just putting down lines however you feel like it. Another awesome book about inking is Rendering in Pen and Ink by Arthur L. Guptill; a big tome of a book that's worth every hour to read it.
The figure came first; the background and text came later. First I sketched the figure in pencil, scanned it into Illustrator, then traced it with the pen tool. I did all the blacks first, working out shadows and forms until it stood alone as a solid black and white illustration. I then started applying flat colors: 4 shades for the armor, 3 shades for the gold-lighted glass (I didn't know how many layers of color I would use originally, that's just how it worked out).
All the little tapered lines are, for the most part, blended triangles, shaped to fit whatever form I needed. I'm not a big fan of outlines. I do wind up using them here and there, but I'm trying to get out of the habit. I try to think more in terms of light, shadow, and dimension, trying to figure out how to make 2D pop out like 3D. :)



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Friday, October 16, 2009
Swim Against Death
Adobe Illustrator CS2A moment frozen in time (Illustration Friday meme). I can't believe how long it's been since I posted last. For the most part I'm happy with how this turned out.
Close-up of chained swimmer.
I created the main body of the chains, turned it into a pattern brush, then drew them on a path with the brush tool. The bubbles are one bubble turned into a scatter brush and the path drawn with the brush tool.
Close-up of monster fish.Used a bunch of different blends for the details on his face. I created the tentacle texture using the pencil tool with a thick stroke. I turned the stroke into outlines, copied and pasted a copy on top which I made lighter, and moved it around a little until it looked like raised ridges. I then masked them into the shape of the tentacles.
Close-up of water bug master.Used a water bug for reference, but changed things up a little. I wanted some sort of sci-fi device on the bug to indicate it's in control of the little robot creatures, but I don't like the thing I made. I'll have to come up with something better later.
Close-up of bubble woman.The chain going around the bubble is four different brushes, a dark, middle, light, and green for behind the bubble. I cheesed how the the chain goes behind the bubble, so it doesn't really look right if you look too close, where it goes from gold to green. I'll fix that eventually. Also, sometimes a pattern on a path may look squished if your path is short, or look stretched out if your path stops just short of the pattern replicating.
There's way more detail on her than what I needed, since she's supposed to be somewhat in the background, but once I got started...

Thursday, June 4, 2009
Sunday, May 31, 2009
8th Wedding Anniversary Illustration
Canon Digital Rebel XTi, 3D Max, Photoshop, Illustrator. :) Here's a submission for Illustration Friday's Drifting. Sunday, May 3, 2009
Final Approved Blaze Logo
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